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Cinesync screen black
Cinesync screen black













cinesync screen black
  1. CINESYNC SCREEN BLACK HOW TO
  2. CINESYNC SCREEN BLACK DRIVERS
  3. CINESYNC SCREEN BLACK SERIES

Solution 1: Use “Fit to screen” to create the red outline

cinesync screen black

CINESYNC SCREEN BLACK HOW TO

So before you start make sure you run the latest driver updates on your Laptop.ĥ different solutions on how to fix the OBS black screen

CINESYNC SCREEN BLACK DRIVERS

It sounds so obvious but many problems appear when your Machine is not running on the latest drivers versions. OBS Studio does not understand which of the 2 graphic cards from your laptop it should use. To solve the black screen issue while using the display capture setting you need to tell OBS Studio which of the two graphic cards you want to use.

cinesync screen black

This is how modern Laptops can become more efficient and the battery last longer.īut why does OBS Studio shows a black screen when you record your desktop? So this is when modern Laptop switch to the integrated GPU’s like the intel HD graphics series. And when you use your Laptop to just browse the web, being on the desktop or watching Netflix you don’t need this much of power. But this graphic card consumes a lot of power.

CINESYNC SCREEN BLACK SERIES

A dedicated graphic chip (GPU) like the Nvidia GeForce Series which can handle high performance graphics while playing games or working with video and 3D models. To be more efficient modern Notebooks/Laptops are using 2 Graphic Cards. Solution 5: Use “Run in compatibility mode”.Solution 3: Use the “Power saving” setting.Solution 2: Use “Run with graphics processor”.Solution 1: Use “Fit to screen” to create the red outline.5 different solutions on how to fix the OBS black screen.With crews working around the globe at all hours of the day we relied heavily on cineSync, although not as good as human to human is a great visual tool that allowed us to stay on the same page. We would review material from as soon as it was online and try to get notes back as soon as possible. I split the work with our additional VFX supervisor Jesse James Chisholm. I also felt it important to have face to face meetings when possible and I tried to make this happen as often as possible. There was a constant flow of information back and forth between the various supervisors and the film makers. In addition to having them be present during principle photography we would have multiple cineSyncs per week to over the work. We worked very closely with all of our supervisors. We would then put all of the vendors on post it notes and then shuffle post it notes around until we felt comfortable about both the number of shots a vendor would have but also their complexity.Ĭan you tell us more about your collaboration with their VFX supervisors? We would write these packages on a white board with the sequences they included. Lisa and I would break down all of the work and split it into packages. We chose Trixter to help us with the Nigeria sequence as they had worked on CIVIL WAR and this sequence would be using the Civil War Black Panther suit asset. It required heavy water simulations, and a large number of shots at various complexities. We chose Scanline for all of our Warrior Falls work. Trixter – 205 – The Nigeria extraction as well as the Oakland apartment.Ĭan you tell us how you choose the various VFX vendors?Ĭhoosing a vendor depends of the type of work, the number of shots in the sequence, and the amount of time we have until delivery.They also did the work at the British museum and abandoned airfield in Korea. Scanline – 385 shots – The big focus here was the waterfall environment for the two sequences that take place here.RiseFX – 180 shots – Built and designed Jabariland.Method Studios – 407 shots – Primarily the 3rd act on top of Mount Beshanga, they also did some of the work in Shuri’s lab.

cinesync screen black

  • Mammal – 578 shots – Compositing, simple blue screen, split comps, clean up, as well as all temp comps and color for the few non VFX shots.
  • Luma – 232 shots – The casino fight, and car chase that follows, as well as the CIA blacksite.
  • ILM – 403 shots – Shots throughout the film focusing heavily on the enviroments of Wakanda and the Golden City.
  • Ghost – 41 shots – 3rd act interior shots as Ross flies RTF hologram.
  • Exceptional Minds – 38 – Compositing, simple blue screen, split comps, clean up.
  • Double Negative – 78 shots – 3rd act Vibranium Mine fight.
  • capital T – 41 shots – Compositing, simple blue screen, split comps, clean up.
  • It depended on shot number, complexity, and time: How did you split the work amongst these vendors? The Art of VFX recently talked to VFX Supervisor Geoffrey Baumann about how the team came together, how he oversaw the work, and how cineSync helped. Marvel’s latest superhero juggernaut – which is already one of Marvel’s highest grossing films after less than two weeks in release – was a huge undertaking, with a massive VFX team contributing shots from all over the world.















    Cinesync screen black