March 22, XTAL FSCK & gmackrr at TriTriangle, Chicago IL US. Multiple formats.Īpril 6-9, visiting artist at Interdisciplinary Media Art Practices, University of Colorado, Boulder IL US. Arcade (1984) by pioneering video artists Lyn Blumenthal (MFA 1978) and Carole Ann Klonarides’s Arcade (1984), is a pop-montage of recycled television images, flashing graphics, and surveillance-like footage. Jodie Mack’s (MFA 2007) exquisite Posthaste Perennial Pattern (2010) animates woven florals to bridge design and nature. Jenny Perlin’s (MFA 1998) quietly unnerving Transcript reveals the reach of Cold War surveillance by using the transcript of a 1953 dinner party-which had been recorded (and augmented) by an FBI informant charged with tracking people tangentially related to the case of Juilus and Ethel Rosenberg-as its script.
Deborah Stratman’s (BFA 1990) Hacked Circuit peels back the layers of fabrication inherent in movie-making, sound recording, and aural perception through an astonishing single-shot portrait of the Foley process. Nick Briz (BFA 2009) breaks down the structure of paid influence and teaches us How to/Why to Leave Facebook (2014). Jon Satrom (BFA 2003) exploits the fallibilities of analogue and digital data storage devices in his multimedia performance MicroMonotaur. Louis Hock’s (MFA 1973) Silent Reversal (1976) derails cinematic conventions while drawing comparisons between the mechanics of projection and transportation.
In Jane Veeder’s (MFA 1977) trailblazing 1982 computer animation Montana, stylized mountain peaks and erosion patterns dance with symbols of the technological age. This program considers the technologies of moving images and their reverberating influence on contemporary life.
0 kommentar(er)
